Mitchell Butel

A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.

Two planes almost collide after a blinding flash of light paralyzes air traffic controller Dylan Branson for a few seconds. Suspended from his job, Dylan starts to notice an ominous pattern of sounds and events that repeats itself in exactly the same manner every day, ending precisely at 2:22 p.m. Also drawn into a complex relationship with a woman, Dylan must figure out a way to break the power of the past and take control of time itself.

Gettin' Square is about starting over, keeping clean and going straight. Barry Wirth is fresh out of prison and determined to stay on the straight and narrow. But like his mate Johnny 'Spit' Spiteri and reformed gangster turned restaurateur Dabba, he finds out the hard way that there are old scores and a few new ones that'll make getting square a lot harder than he thought.

In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Opera Australia production filmed at The Arts Centre Melbourne.

The Bank, a world ripe with avarice and corruption, where O'Reilly and his ilk can thrive and honest Aussie battlers lose everything. Enter Jim Doyle a maverick mathematician who has devised a formula to predict the fluctuations of the stock market. When he joins O'Reilly's fold, he must first prove his loyalty to the "greed is good" ethos. Which way will he go? What does he have to hide?

Advertising executive Dale Hunter (Michael Muheny) works at the agency Arora. But after a car accident, his life changed abruptly. He has nightmares at night and by day he suffers from hallucinations. The world looks like from a computer. Numbers and names adhere to the objects. A doctor can not help him and the hallucinations are getting worse. Librarian Wendy seems to be the only person he can trust. Together they try to find out the truth.

Four unsuspecting victims find themselves beyond "The Twilight Zone" in a twisted and altered reality: an airline passenger thinks he's lost his identity... a bored housewife thinks she's found romance... a conman thinks he's made his mark... and a hired killer thinks she's ready to retire. Unfortunately for all of them, they soon discover that there's nothing like reality to get in the way of an otherwise perfectly twisted perspective. Things are never quite that simple.

The hilarious tale of one young woman's quest to lose her virginity. She is a sexually curious, romantically frustrated bookstore clerk on a mission. Taking the advice of her friends she goes from one person to the next in her vain attempts to be deflowered. In between encounters with other people, she returns to the one person she can trust and truly relate to, her gay friend Jimmy, whose faith in love is being shake by the revelation that his boyfriend has been unfaithful.

The lives of a struggling family are upended when a runaway criminal dressed as Santa Claus crashes onto their property. A wily teenager seizes the opportunity to save the farm—and bring her fractured family back together.

Direct from London's glittering West End, our favorite multi-award winning international cabaret sensation, Meow Meow (Vamp), returns to Sydney Festival with a perfectly wild take on Hans Christian Andersen's bittersweet fable. With Malthouse Theatre director Marion Potts, composer Iain Grandage (Optimism), the Wild Dog Orchestra and the ever-dexterous Mitchell Butel (Woyzeck), Meow and her cohorts ignite a fantastical flight of musical fancy with dark, cut throat comedy and a whiplash score.

Medical drama focusing on the working and personal lives of the doctors and nurses working on the front line of a busy inner city Emergency Department at All Saints Hospital.

An anthology based on eight short stories by Stephen King in his 1993 collection of the same name.

A best-selling, but recently cancelled, children's author has a meltdown when approached by Austin, a neurodivergent 20-something claiming to be his son. He then realises that embracing the young man may be the path to redemption.

Stories of the bizarre and the supernatural, as introduced by Bryan Brown. Sometimes serious, often comical, but always with a twist at the end of the story.

In order to survive, Troy Quigg must take his family into witness protection and give evidence against his former employer, vicious crime boss Nils Vandenberg. Now known as the Swifts with fresh identities, the Quiggs are ripped from their Gold Coast home and dumped in Western Sydney. Dislocation puts immense pressure on everyone.

Bordertown is a 1995 Australian TV miniseries. It takes place in a post World War II refugee camp in Australia.

Grass Roots is an Australian television series produced by the Australian Broadcasting Corporation between 2000 and 2003. The series is set around the fictional Arcadia Waters Council near Sydney, and was primarily a satirical look at the machinations of local government. It was written by Geoffrey Atherden. Part of the series was filmed in the inner west Sydney suburb of Concord. Many external shots of Arcadia waters Council chambers used Concord Council Chambers as a setting and as was other various locations around Concord, particularly in the shopping centre and cafes in Majors Bay Road. Beach scenes were filmed at Mona Vale, New South Wales on Sydney's northern beaches, while the location "Cemetery Point" was filmed at the Mona Vale headland reserve.