Tuixén Benet Cosculluela

A pair of newlyweds must fight to survive when their wedding reception descends into chaos and carnage when their guests become infected by a virus that turns them into hungry zombies.

With her mother's diary in hand, Marina's search for official documents for university leads her to her biological family on the Atlantic coast. What starts as an administrative quest reveals long-buried family secrets.

Through a dialogue between movement and landscape, Lazarus reflects on the objectification of the woman body in film. The famous quote by Edgar Allan Poe "the death of a beautiful woman is, unquestionably, the most poetical topic in the world" triggers a succession of falls and recoveries that escape the poetic by trying too hard to find it.

A mysterious package offers a woman a reprieve from her meloncholy, only its results are more permament and pervasive then she realizes.

Josefa Centeno, an 86-year-old woman, refuses to be uploaded to a digital afterlife, facing the consequences of defying the authoritarian regime. Built around archival footage, the director re-imagines his grandmother's life as a sci-fi fable about love, resistance and what it means to choose your own ending.

Aloma, a modern medieval woman, leaves her peaceful country life in Delta de l'Ebre to go find her brother Artur, with the purpose to bury him in Barcelona. Carrying the corpse, she embarks on a journey along the river in which she must overcome real and imaginary obstacles, as if in a chivalric novel, in a timeless world of magical realism.

They're in search of something unknown and they find each other instead, to help cope with loneliness and strangeness of what surrounds them through conversation and movement. A choreographic narrative experimental film that explores the emotions and relationships of two female young adults through their bodies in space in a delicate and playful small story about intimacy.