Maximilian Karakatsanis

An actor meets a subversive journalist in Budapest, and they have to decide between love in political resistance and artistic self-realization. Shot on flickering VHS, the film reflects an oversaturated, stylized and staged idea of romance.

After committing a robbery, three young criminals plan their next heist. The euphoria of those first moments gradually gives way to repressed longings and conflicting emotions. They begin to have doubts about their plan.

Four young friends with different life perspectives venture out of the suburbs and are confronted by a tragic fate, questioning everything and themselves.

A metro driver with colorful hair is unexpectedly chosen as the face of a public transport advertising campaign, blurring the lines between the visible and hidden.

A cinematic journey between places and times. About a so-called guest worker who went to Germany, and those who stayed in Greece or eventually returned there. About life in a small mountain village, family, and personal loss.

My grandfather was one of the very first labour migrants of the recruitment agreement between Germany and Greece. A short poetic documentary about longing, family and being a so-called guest worker.

Transitory places, childhood memories, and dreams intertwine on analog film to create a poetic mosaic that allows for an intimate exploration of grief and its cinematic representation. A very personal farewell.

The gaze in autocorrelation.