Safei Eldin Mahmoud

Mahmoud is man in his late 50s, who owns a photocopying store. When he comes across a topic about dinosaurs, he becomes obsessed with searching for the causes of its extinction, which leads him to rediscover love, friendship, paternity and the real meaning of life.

Youssef, an introverted university professor, tries to live a quiet and secluded life, but the arrival of the student Warda into his world turns everything upside down. while she is trying to mend her relationship with her boyfriend, Noah, Youssef finds himself gradually becoming entangled in their relationship. As illusions intertwine with reality at the heart of a complicated love triangle, feelings he thought had long faded awaken within him.

A retired singer from northern Sudan, Mona, burdened by guilt for covering up a man's death, hires his southern widow, Julia, as her maid. Unable to confess her role in the tragedy, she hopes to move forward, but the country's growing unrest threatens to reveal her secret.

Set in the confines of an impoverished Cairo neighborhood, a community's everyday life is threatened by the ruthless rhythms of Tanneries, rotary driers crushing animal skin, hazards of poisonous waste water, Tahyea desperately clings to her brother, Saqr, whose only dream is to escape.

After a terrorist church bombing in Tanta, the body of an employee at Al Pasha Women's Beauty Centre, Nadia, is discovered. The center owner, Nour Al Pasha, and female workers are in trouble about the need to cover up the incident, which is mostly a suicide, in order to preserve the center's reputation amidst intense competition. While Al Pasha tries to obtain a burial permit unofficially and illegally, the workers get involved in trying to find a way to wash Nadia for burial secretly. Nevertheless, they face multiple successive difficulties. Hence, each one of them recalls her relationship with Nadia. They confront their realities and actions, as well as what Al Pasha represents in their extremely harsh and unpredictable lives.

After the death of their father, Galal, the Abu El Fadl family's peaceful life collapses. The eldest son, Tarek, finds himself responsible for everything, while Hegazy returns from Cairo to discover that dealing with his patients is much easier than dealing with his own family. Matters become further complicated with the appearance of the mysterious man, Samir Italia, who demands a large sum of money from the family. Between the father's debts and suspicious artifacts, the brothers' attempts at reconciliation turn into a series of disasters that only make matters worse.

We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.

Sahrawi ,the leader of a gang decides to get rid of Yousef, one of his old men after he has cancer and taking money belonging to the gang. He entrusts Adel to eliminate him, as well as Farah to follow Adel, but they fall in love. Then Yousef and Adel become friends.