Safei Eldin Mahmoud

The events take place at dawn on the eve of Eid inside a residential building, where a family lives whose grandfather is facing an emergency health crisis. Then the male children leave in a race against time in search of a doctor to save him, leaving the women and their children in a state of anticipation and anxiety. Then they are surprised by the entry of a rented girl into the building accompanied by a strange young man. They begin to project their pent-up fears and tensions onto the girl and the young man.

A retired singer from northern Sudan, Mona, burdened by guilt for covering up a man's death, hires his southern widow, Julia, as her maid. Unable to confess her role in the tragedy, she hopes to move forward, but the country's growing unrest threatens to reveal her secret.

Following a violent incident, Eissa, a 17-year-old African migrant in Egypt, strives to beat the clock to save his loved ones whatever it takes.

After the death of their father, Galal, the Abu El Fadl family's peaceful life collapses. The eldest son, Tarek, finds himself responsible for everything, while Hegazy returns from Cairo to discover that dealing with his patients is much easier than dealing with his own family. Matters become further complicated with the appearance of the mysterious man, Samir Italia, who demands a large sum of money from the family. Between the father's debts and suspicious artifacts, the brothers' attempts at reconciliation turn into a series of disasters that only make matters worse.

Sahrawi ,the leader of a gang decides to get rid of Yousef, one of his old men after he has cancer and taking money belonging to the gang. He entrusts Adel to eliminate him, as well as Farah to follow Adel, but they fall in love. Then Yousef and Adel become friends.

Samir is the head of a small family and a bank employee and stable in his work, but separated after the decision to reduce the employment and then surprise that his bank balance zero and after days find a box with a mobile phone to meet a call changed his life by recruiting him to spy on people through an organization called The Originals.

We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.