Joana Carneiro Reis

Confronted with his mother's infidelity and his father's emotional absence, João arrives at a sunset where he refuses to return home.

A group of disillusioned youths in Lisbon are consumed by the promise of the “club”. Irreverent, alien, and playful, the film takes the audience on a trip through the underground of Portugal's capital city as its young characters get high and unleash their unpredictable energy on the streets.

Persian-Kurdish Lela and her American daughter June take a trip to the romantic Azores after a recent loss, both with polar opposite views about why they’re there, how to grieve, and the size of June’s tiny bikini. Amidst honeymooners, the Woman, Life, Freedom movement and their hot, philosophical tour guide, João, the pair find each other… coming back to life.

Alberto is 40 years old and lives with his mother in an apartment complex where he works as a concierge. One day, a circus group settles near Alberto’s residence, disturbing his everyday life and awakening his forgotten desire for independence and freedom.

Like every summer, little Salomé returns to her family village nestled in the Portuguese mountains for the holidays. As the vacations begin in a carefree atmosphere, her beloved grandmother suddenly dies. While the adults are tearing each other apart over the funeral, Salomé is haunted by the spirit of the one who was considered a witch.

On a remote volcanic island that everybody wants to leave, little Nana learns to stay. Her mother, Nia, went into exile right after she was born and Nana grows up in the family of her father. One day, the family learns that Nia is ill. Nana begins to develop high fevers and is sent to the foot of a volcano for treatment. There she encounters a world steeped in magical realism, between dreams and reality. Later, when Nana is a teenager, her mother Nia finally returns to the island.

A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.