Dana Sachs

The winner of numerous festival prizes, this early work by Lynne Sachs is a provocative film essay on women's perspectives on their bodies in a "man's world." It touches on everything from the female form's depiction in Renaissance art to the school of 19th century "scientific" thought equating "abnormal" physiognomy with criminality. This adventurous collage also features the filmmaker's own diaristic recollections (notably of being fitted for a diaphragm by a cold, intimidating doctor), poetical staged sequences, other women's audio testimonies, an old classroom instructional reel about menstruation, prose by Gertrude Stein and feminine "ideals" like the undulating young woman performing in fish-tail costumes at Florida's kitschy Weeki-Wachee Springs "Underwater Mermaid Theater." - Dennis Harvey

In this illuminating study of cultural contrasts, American filmmaker Lynne Sachs and her sister, Dana, travel north from Ho Chi Minh City to Hanoi, recording conversations with Vietnamese strangers and friends. The sisters' expansive travel diary covers tourism, insights into city life, pervasive culture clashes and a bracing historic inquiry. What begins as a picaresque road trip soon blossoms into a richer social and political discourse.