Marysole Fertard

Set in the world of 2045, where communities have robotic helpers, a group of suburbanites are locked in for their protection by their household robots, while a rogue, self-aware AI android revolt uprising takes place outside.

Childhood pals Dog and Mirales live in a little village in the south of France and spend their days just hanging out. To kill time, Mirales has got into the habit of teasing Dog mercilessly. But this summer is different: Dog meets Elsa and romance blossoms.

Roxane, Carlos, Élyane and Medhi are sharing a car ride from Spain to France. During a stop on the highway, Roxane befriends Malo, a migrant walking toward the border. He ends up being invited, almost against his will, to continue the journey with them. A few kilometers from the border, tension begins to rise inside the car.

Nowadays, in Paris, a student who occasionally prostitutes, a freshman drug dealer, a trader who makes a ton of money... Money, pleasure and ambition are the cement of their relationship. In today’s world, they love and hurt each other.

Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.

Romane and Marcus, friends since childhood, are hiking in a german forest. As Romane catches her breath, she catches sight of a shadow in the distance.