Peter Hall

Live from Glyndebourne 1987.

Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship, she changes her personality when she begins to receive anonymous telephone calls.

Isaac's son Jacob deprives his brother Esau of his birthright and has to flee for his life. He finds shelter with his uncle Laban, but is himself deceived. Finally, Jacob has to face both his uncle and brother.

Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.

Sir Peter Hall's remarkably faithful interpretation of Beethoven's opera at Glyndebourne. Elizabeth Söderström plays Leonore, with Elizabeth Gale as Marzelline and Curt Appelgren as Rocco.

The deputy manager of a London bank has worked out a way to rob the branch of £200,000. When he becomes involved with the attractive Lady Dorset he decides to go ahead with his plan. He needs her help and that of her philandering spendthrift husband. It all comes down to a matter of trust.

Val Xavier is a drifter in 1940's Mississippi who brings new life to an Italian immigrant woman trapped in a loveless marriage.

Edna O’Brien is interviewed by Russell Harty about her writing and her relationship with Ireland, as explored in her latest non-fiction book Mother Ireland.

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.

Peter Hall's film adaptation of Shakespeare's comedy, filmed in and around an English country house and starring actors from the Royal Shakespeare Company.

In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph! ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.

Shrigley puts his personal spin on news stories and big events every day for a week by creating seven pieces of thought-provoking and entertaining artwork which offer an alternative, very personal interpretation on a topical news story. In the week-long public art project he expresses his idiosyncratic, wry humour in a variety of surprising media. Among his creations, there's been a cartoon on a building banner for Manchester about bullying, saying: "The bully has a brain the size of a pea"; a horde of people with sandwich boards about Tony Blair's current political issues which gathered outside the Guildhall in London, where the Prime Minister was making a speech; a giant mobile billboard parked at the Tory hustings in Leicester with the rallying cry "Legalise pottery"; and a giant wearing the slogan "Binge drinking is our heritage" visited bars in Nottingham.

In a dreary North London flat, the site of perpetual psychological warfare, a philosophy professor visits his family after a nine-year absence and introduces the four men - father, uncle and two brothers - to his wife.

A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company.

A woman who has been institutionalized for 60 years for the "crime" of not conforming to the 1920s image of what a proper young woman should be (in other words, she did what she wanted and didn't care what anyone else thought about it) is finally released to the custody of her family, consisting of her grand-nephew and his family. At first she keeps a self-imposed distance from the relatives, but she soon finds herself coming around to her nephew's wife, a free spirit who is under the thumb of her cold and controlling husband.

Leo, the owner of the stocking product "Discrete", has driven his company into the wall; the company is virtually bankrupt.

Agamemnon returns home from the Trojan war and is murdered by his wife, setting off a chain of revenge that stretches across this trilogy of play. Directed by Peter Brook for the National Theatre, this is an all-male performance with masks.

As a young man, Tom, prepares to leave the Suffolk village of his birth, voices and experiences from his family's past crowd in on his mind, weaving a poetic tapestry of the love of home and the longing to get away from it.

In 1958, a Caribbean couple make the journey to a new life by moving to England.

Sir Peter Hall's remarkably faithful interpretation of Beethoven's opera at Glyndebourne

When a German businessman causes a car accident with deadly consequences, the papers start digging into his past to find scandals. What they find causes him to reevaluate his own past during WW2 when he was in Greece.

This is a finely tuned opera with music by the Italian composer, Claudio Monteverdi, libretto by G. E. Busenello, and the fine voices of contralto Maria Ewing, baritone Dennis Bailey, and several other sub-leads is not to be missed and will be fully enjoyed. No lead tenor here and none needed. No soprano here as a lead and none needed. One of the joys of my watching and listening outside the opera hall. The story line is strong and the tale well carried out.

Steve Howard, a British sales executive living in Manchester, England, begins an affair with a young hitchhiker, Elle Patterson, to emotionally get away from his marriage to his wife Francis. But when Elle moves into a room in Steve and Francis's house, he must keep the true nature of his relationship with Elle under wraps at all costs.

Dreamlike satire about a young man who resists getting a job at the lone employing conglomerate in his dreary industrial town, but changes his mind when he discovers the plant's boiler room has the perfect climate to assist him with his pet horticultural (fungal) project.

When a young bride moves into a country manor, long repressed childhood memories of witnessing a murder come to the surface.

An epic chronicle of the dysfunctional Plantagenet family from the accession of the young Henry to the death of Richard, last of the Plantagenets. The vacillations of the priestly Henry lead to ungentlemanly behaviour, civil war, treason, murder, regicide, fratricide, and the relentless pursuit of power so characteristic of the Renaissance.

The Camomile Lawn is a 1992 British miniseries based on Mary Wesley's novel of the same name, following five cousins and their family in Cornwall as they navigate the start of World War II. The story is framed by a funeral in 1984, which prompts the characters to recall their experiences during the war, including love, loss, and secrets.