Khalil Charif

Super 8 filmed in Brazil during the 70's. It's a reflection about the idea of Tupi, by elaborating a non-linear narrative with a collage of "antropofagic images", presenting the body and space as topology of desires, experimenting the choice in life, and language of the essential, instead of the accessory.

Film set in the neighborhood of Copacabana, elaborated through a collage of current and archive images (Super 8 and digital). An experimental work narrated by the significant speech of the poet Fausto Fawcett, and sonorized by the musician Arnaldo Brandão.

A spell is cast on the dance floor, and it transforms the atmosphere. An experimental combination of elements, made with archival footage from Rio de Janeiro in the 70s and 80s.

On a subway ride in New York City, a sequence plan examines a social aspect, seeking a reflection on our new era of profound human and technological change and its challenges.

In a world where freedom is constantly under threat, democratic societies are always on the lookout to ensure that the hard-won conquests of the historically recent past are not rolled back, but rather evolve towards individual and collective freedoms of expression and coexistence. (Khalil Charif)

Through different languages, this experimental work uses sound and visual poetry, presenting images with a non-linear flow of words in a context of exponential equations, making integrated use of the word, the meaning of the word, and the sound of the word.