Pablo Fábregas

When Dario Roitman returns from the U.S. to Argentina for a family wedding and Bat Mitzvah, he anticipates the usual family drama. But his carefully laid plans for a family reunion are suddenly upended when he learns, just hours before his flight, that his father has passed away. As the Roitmans gather for the funeral, old wounds resurface and longstanding tensions reach a boiling point. Despite the emotional turmoil, Dario remains determined to celebrate both the wedding and Bat Mitzvah, even if it means challenging tradition and risking further discord. Navigating grief, sibling rivalry, and delightfully eccentric grudges, the Roitmans reveal the messy yet enduring love of family.

Santiago decides to start a family with his girlfriend Ana, even though she is pregnant with her ex, Pancho's. However, the real challenge will come when Pancho unexpectedly returns from Miami to get involved in the pregnancy, unleashing a series of comical and chaotic situations in his home.

"Lexter can be defined in a few words: son of a bitch" says Sebastián Wainraich while remembering the protagonist of this generational comedy: a worn-out radio host whose glory days are getting far and far behind. Filtering through the false documentary tone (Clemente Cancela, Sebastián De Caro, and other radio people give their testimonies, which are often filled with admiration) we learn the story of a chance encounter between Lexter and Blas, a communication student who stalks his idol in order to write his graduation paper, and unwillingly stirs up a few ghosts from the past.

It is the story of Ernesto Ramponi, a man who lost his penis and tries to get it back.

The delightful Argentine comic Agustín Aristarán (aka Soy Rada) is back, this time putting the spotlight on family and parenting, magic and music.

A locally famous radio host has to deal with his ex-wife, who he still loves, and his two children.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.