Michael Blum

A political and poetic wondering/wandering about the relevance and context of re-reading Marx 150 years after the publication of The Communist Manifesto

The Swap is the third chapter of the PolEc Trilogy, comprising Wandering Marxwards (1998) and The Three Failures (2006). It features the same character as in the previous episodes, but now reduced to a lost, exhausted soul roaming Shanghai's cityscape from the remotest periphery to the financial district. Another narrative, spoken this one, takes us to September 2008, as gigantic bailouts put the financial system on life support instead of letting it collapse, thus seizing our reality and replacing it with a fiction tailored for the situation. These two streams end up meeting on a Shanghai dancefloor, where unresolved contradictions can finally be performed.

Thinly disguised account of the relationship between radical black activist Angela Davis and Black Panther and prison inmate George Jackson, who was one of those killed in a failed 1971 prison breakout.

A fairy tale about communism, social-democracy, and capitalism. (The sequel to Wandering Marxwards)

A neighbourhood investigation centered around a house in Cape Town. Current and former tenants, neighbours, a homeless man in a wheelchair, an architect, a former top-model and a flower seller are among these who provide stories about the house, its surroundings and the hyper-local power dynamics - 10 years after the fall of the apartheid regime.

A series of psychic readings of spaces, commissioned by the artist in an attempt at connecting with the past of domestic or exhibition spaces, despite the limitations of rational discourse. The video is not edited, respecting the actual duration of the performance.

Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.

A sequel to My Sneakers - the 2001 video where Blum traveled his Nike sneakers back to Indonesia to figure out where they really came from. This time, it's the artist's daughter's shoes that prompt him to return to Jakarta. While echoing My Sneakers and its investigative drive, Capri unravels as a reflection on time passing and the dialectics of permanence and change. Factories are still producing sneakers, but the world around has completely changed…