Albert Romanutti

The story of four dads, their six children and a bachelor takes the audience on a summer hiking trip to the mountains. The Galejník expedition has two basic rules: Survive! And no women. From the very start, however, nothing goes to plan…

Psychologist Eliska contacts musician Martin with a request for him to perform at an event on mental disorders. Their intense relationship ends with Eliska's suicide, which will resolve long-lasting pain without cause. She flew through Martin's life like a spaceship. She left clothes, things, a farewell letter. But also memories, dreams and eternal encouragement to play. She's still with Martin. Like a memoir, as a gratitude for the experience, like a muse.

Two new flatmates are not even looking for an exit from the lockdown - which becomes more of a backdrop outside the windows of a one-bedroom Prague apartment. Shot on an ever present handheld camera, the reality of the (non)passing time of the pandemic slowly reveals itself. As the protagonists mutually confess and unmask each other over past unfulfilled relationships, we witness how they naturally complement one another in the household. The look inward, at ordinary events, gradually transforms the apartment into an autonomous world of imagination and song. The film thus serves as a manifesto of creation as an escape from an otherwise closed-up world. With giddy exaggeration, the emerging friendship opens up more general questions of the human need for social interaction and sharing life.