Willy Cornette

Episode of the Belgian Flemish Television (BRT) program Het Gerucht on the development of Anne Teresa De Keersmaeker's choreography "Bartók/Aantekeningen" (in English: "Bartók/Annotated"), created in 1986 for four dancers from the company Roses . "Bartók/Aantekeningen" is the fifth work by Anne Teresa De Keersmaeker, after "Ash" (1980), "Fase, Four Movements to the Music of Steve Reich" (1982), "Rosas danst Rosas" (1983) and "Elena's Aria". "(1984).

The documentary's legacy lies in its unapologetic fusion of agitprop and satire, a signature style of De Hert’s Fugitive Cinema collective. By juxtaposing Mandel’s economic theories with absurd military parades, the film exposes the contradictions of a society preparing for war while its social fabric decays. De Hert employs rapid montage, pop music, and street-level interviews to strip away the facade of state authority.Decades later, Le Filet Américain remains a vital historical document. It captures a specific era of Belgian polarization, marked by economic crises and the rise of the gendarmerie. The metaphor of the meat grinder endures as a powerful critique of how institutional systems compromise individual dignity for corporate profit.

Short film that shows a day in the life of Monsieur Chose.

Max, an aimless middle-aged man, travels to Brussels. As he wanders the city streets, he meets three unlikely companions, with tensions rising among the group each passing hour.