Anna Coccoli

Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.

Albertine is the most controversial character of Recherche du temps perdu, the most mentioned yet the one we know the least about: we do not know where she comes from, what she does for a living, where she ends up… and even when she dies, we wonder if she ever existed at all. Several critics saw in Albertine Proust’s driver Alfred Agostinelli, a young Italian with whom Proust had been madly in love. The novel and Proust’s life become the excuse for a contemporary love story – where Marcel, Albertine and Alfred hide, bluff, swap genders and roles, experiencing love as an eternal question, aware that the heart of things cannot be captured, but only glimpsed at.

All her life, a daughter has tried to be different from her mother. A crack on her body will force her to confront her, as well as her origins.