Park Koon-je

Following the body of Park Kyung-seok and the hands of Moon Jong-taek, the film documents Park's daily struggles on the subway and the public outcry over 'inconveniencing innocent people.' Holding his camera, Moon confronts a wall of indifference as they repeat the same fight in an unchanging world.

There is one principle in the world on screen. It is the principle of construction. Unfinished or abandoned buildings are regarded errors and starts to debug for maintenance of order. However, there is a movement to deviate from the principles of construction-universe. The images start to blend the time and space of the abandoned building and the information of the space under construction. Eventually, the combined data causes errors, and those combined images and sounds attempts to leap out of the flat world of the screen.