Silvia Pérez

In Buenos Aires, 17-year-old Bennie seeks out his estranged brother Tetro, a once-promising writer haunted by their family’s past. As Bennie uncovers Tetro’s hidden manuscript, old secrets and rivalries resurface, forcing both men to confront the truth about their father and the tangled legacy that tore their family apart.

Milena is stuck in a life she did not choose, taking care of a husband who was left in a vegetative state after being run over by a drunk driver. Everyone tries to encourage her to move on with her life. The man responsible for the accident, Tom, leaves prison and starts attending Alcoholics Anonymous meetings, seeking redemption. Milena joins too, to stalk him. What seems like some sort of revenge becomes less clear as they get to know each other. She starts to learn about his (wealthy) family, and keeps going to AA meetings, which take place directly below a malambo rehearsal room. Drawn to the dance, Milena experiences emotions which she thought were long dormant. The energy of the dance kickstarts something within her, reawakening certain desires.

A television director decides to make a show about the invasion of transvestites in Mar del Plata. He commissions one of his editors, Jorge Trolombati, who must infiltrate and impersonate one.

It tells the story of four Jewish boys during a few summer days at the country club where their parents take them, on the outskirts of Buenos Aires, in 1993. Within the club, the four define themselves as outsiders, since they do not participate in the sports activities that are practiced there, and therefore do not fit into the logic that governs the place, being permanently bothered and mocked by the rest of the children of their age.

King Solomon is a great seducer, he cannot contain himself in view of women. But having so many of them at the same time starts to become a problem.