Suzanne Lindon

When four distant cousins inherit a 19th-century home in Normandy, they decide to visit and examine their family history. No one has lived there since the 1940s, and the cousins are intrigued by all of the items they find there, little things that help them to understand their ancestor, Adèle Vermillard. Jumping back and forth in time, they meet the mysterious Adèle, whose bohemian lifestyle, and her relationships with the leading artists of the time, changes their lives.

At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.

Horn is welcoming his partner Léone into the hut he shares with Cal, when a man called Alboury appears. He stays there until they return the body of his brother, who was killed on the site.

A 16-year-old girl, bored with her own age group, becomes involved with an older man at a theater she passes.

A few years after "I Don't Know If It's Everyone", Vincent Delerm continues his documentary and sensitive exploration of feelings in a second film, this time tackling the most vibrant of all: the feeling of love. Delerm operates alone and grabs his camera to explore women and men, anonymous, artists, acquaintances or friends, in the spring or winter of their lives, all dissimilar but all in unison when it comes to evoking with delicacy, emotion or humor their relationships with the vertigo of love.

Paris, autumn 2015. In Philippe Dayan's analysis office, a surgeon in disarray in love, a couple in crisis, a suicidal teenager follow one another day after day. On a November evening, killers enter Paris.