Joël Pommerat

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

When the tree of magical wood falls from a storm, a poor man decides to make a puppet out of it. Pinocchio is born. But he is naive and cruel child who refuses to go to school, only thinks of having fun and dreams of being a prince. So naturally, when his path crosses with two crooks, he can only behave like a blockhead... Revisiting Carlo Collodi's popular tale, Joël Pommerat defends children's right to learn from their mistakes by themselves and to not obey without understanding.

A staging of Joël Pommerats's play "Ma chambre froide" by himself.

When Lucie and Jean return home after a dinner, they discover their children are missing, and that the baby sitter they have hired cannot explain where they went.