Well Darwin

Guitarist Lanny Gordin was one of the fundamental characters in the transformation of Brazilian music from the 1960s onwards. He electrified Gal Costa, Gilberto Gil, Caetano Veloso and Jards Macalé, among others. Lanny reveals his libertarian process of composition and current thinking, embarking on an unusual odyssey through China, his birthplace, and Brazil, the country where he lives.

During the quarantine promoted by the Coronavirus, hundreds of videos posted on Darwin's personal Instagram become a biased diary of our time, of the last 10 years and, at the same time, a deep dive into his being, a dive for those who see and for those who made, an experience of discovery, resistance and contemplation, for both sides.

After being born Georgina in the outback of Bahia, she became known as Diva Rios in São Paulo’s Boca do Lixo and Rio de Janeiro’s Lapa, as well as Suzy King in the nights of Copacabana, but died as Jacuí Japurá on the border of the United States and Mexico. Four names for just one woman: fascinating, moody and very creative. Singer, songwriter, actress, ballet, folk, burlesque and exotic dancer, snake charmer and fakir were only some of the artistic endeavors she tackled during her life. Found dead on the trailer where she lived in August of 1985, in California, she left behind stories without conclusion, lost remainings of her troubled trajectory and a trail of mystery. Three decades later, two historians gather fragments of her tale with the goal of piecing together the complex puzzle that was her life. Actresses, singers, musicians and performers join them to rescue the poetic aspects of her unique personality. A question resounds throughout the entire movie: Suzy King, who are you?

Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of images, in a constant game of ruptures and continuities. All this from 365 videos published on an Instagram page in 2018, added to an original soundtrack and a text adapted from Dürrenmatt's play Dialogue of a Vile Man, a text that synthesizes our time well.

17-year-old Anderson steals a motobike in the outskirts of São Paulo. He wants to become a man, putting an end to years of exclusion and rejection, but he is faced with something he never learned to deal with: his own feelings.