Claudio Villarrubia

The acclaimed film director Esteban Martínez is a legend both for his films and for his past marked by violence and excess. For his new project, he offers his daughter Emilia a role under the pretext of helping her with her stalled acting career. Living together on set will foster a closeness they haven’t shared for years, but it will also reopen old wounds that never healed.

Spain, 1982. Marisa decides to take her daughter to Madrid to find a solution for an unwanted pregnancy. Lucia ends up in Peñagrande, a reformatory for pregnant teenagers. There, she will forge strong friendships with the other girls and discover the awful truth that her still unborn child is to be taken away from her.

Juana is a nun with a strong character marked by a paranormal experience. A mysterious order from the Archbishopric will take her to an old church in old Madrid, built on a network of passageways of unknown origin. There, Juana will discover that in the bowels of the building there is something prior to the legends that are explained about that place. And the Evil that lives there has begun to infect the exterior.

Carmen, a woman haunted by family tragedy, drives at night after a long day of work. To fight sleep, she decides to stop in a gas station to rest. There, she meets a shadow of her past who could explain her present.

In Spring 2010, a group of eight young people disappeared in the valley of Baserca, a province of Lleida. The news caused a local uproar and the authorities investigated the case with discretion. With no clues to the culprits, they decide to seek help from the media. Five months later, the program “L’Empremta” will air the chilling facts in a documentary. It’s time the legend became reality, but with a chilling argument that differs significantly from the original legend.

The love that a mother feels justifies everything, a mother is capable of murder because of her child, she kills, she steals, she works the corner or any other thing that keeps her child alive; the love that a mother feels, brings up the better and the worst in every woman. Ursula (Ana Polvorosa) is a mother and she is living two tragedies at the same time, a zombie invasion and the fact that her husband left home with their son, Nicolas. To Ursula, the zombie invasion is just “an anecdote” because she, as a mother and as a woman, only cares about her missing child, helpless and alone in a world surrounded by green and crazy beings.

A child actor wandering between reality and fiction, a prisoner using his furlough, and a woman trapped at her son’s christening. A day in the life of each of the three members of a family over whom the same question hangs: Who am I, and who do I want to be? Three stories about identity, separated by time, but united by blood ties and a decision that will mark the lives of all three.