Elke Aberle

Anna falls madly in love with an Italian violinist, who instead marries her sister Monika.

Friedrich Schiller, a respected baker in Einbeck, enjoys a seemingly idyllic life with his wife and nine children. As he approaches his silver wedding anniversary, he nearly succumbs to a fleeting liaison with a spirited woman named Lollo. Though the episode ends harmlessly, it awakens a crisis of conscience in Friedrich, threatening the harmony of his devoted family.

Peter grew up during the economic miracle, bereft of parental care and love. Learning early on that interpersonal relationships are based on the principles of exchange or purchase, he abides by these rules and gives generous presents to his family and his wife, Erika. But when he is unable to keep up this lifestyle, his story takes a horrendous turn...

Father Scherzer generally buries himself in the books of the castle library, which he is responsible for managing. He is a warm-hearted but somewhat overwhelmed father to his five daughters, ranging from a preschooler to two teenage girls to a successful press photographer who flirts with a dashing dentist. While he is trying to sell the castle to an overbearing American millionaire, the housekeeper quits, and the youth welfare office insists on discipline and order in the five-girl household.

As Germany's fortunes in the latter part of World War II wane, several young boys, in their enthusiasm to do something "for the fatherland", volunteer to fight with the German army in the East. Horrified at the news that their children left for the Russian front, the boys' mothers begin a desperate effort to get their sons back.

The inmates of a reformatory for underage girls have had turbulent pasts: prostitution, crime, violence, and drugs dominated their lives. One of these young women is the rebellious Karin, who lets no one get close to her. Only the young pastor Johannes manages to reach her, bringing Karin's mysterious and sad past to light.

A sentimental musical film about a star conductor and his motherless daughter, orphaned children, choirboys, and a pretty governess.

The days of the Schlosshotel Seefels appear to be numbered. Hotelier Theo Frobenius is forced to sell his hotel to group boss Mertens in the face of massive competition. Frobenius learns that Mertens wants to secretly inspect the hotel. In order to drive up the price, the hotelier wants to make him believe that the business is flourishing.

The Petermann family decides to take a family vacation to the sunny south. The Petermanns are grandfather, father Max, mother Biggi, children Stupsi, son Andy, and pretty Monika, Max Petermann's sister. They rent a speedy sled because Max Petermann has just gotten his driver's license. Not only are there various starting difficulties due to a lack of driving experience, but there is also a special case with the car: hidden deep in the upholstery are secret documents that a trio of gangsters are trying to smuggle abroad. A mix-up of the license plates causes some turbulence. Willi Polz is assigned by the trio to keep an eye on the Petermanns in order to secure the documents at the right opportunity. Of course, something always gets in the way on the trip to Bella Italia. The fact that Willi falls in love with the blonde Monika is the least surprising thing. But the grandfather's actions are the real sensation.

In the 1930s, three unsuccessful variety artists dream of making it big. When they hear about the rise of sound films in Hollywood, they see their chance: a language school for silent film stars will bring them fame and success. Full of hope, they travel to California, straight into the exciting world of the first sound film productions. But not everything goes as planned...

Murder mystery about the disappearance of a boy who has leukaemia following the murder of his mother, which he witnessed.

The composer Kristian Wernher is supposed to transport uranium-containing rock samples from Brazil to Austria, specifically to Lake Wörthersee, for his father, the head of “Internationale Berg AG”. Everything is carried out in the strictest secrecy, but soon two agents are after Kristian. But that is not his biggest problem. An unpleasant surprise awaits Kristian at the delivery point.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A police department, lead by an older, experienced detective solve crimes together.

Polizeiinspektion 1 is a German television series.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

The life of the German noble family von Guldenburg.

Hans Kroll is a real bully who couldn't care less about school. For him and his friend Toni, motorcycles and pinball machines are what matter most. Recently, karate has also become a favorite pastime. However, after joining a taekwondo group, the two quickly lose interest in fighting. At the ice rink, Hans meets Bettina Steindl and, under the envious glances of his friends, gets her phone number.

Die Kinder vom Alstertal is a German television series.

Ravioli is a German children's television series.

It all starts with a minor rear-end collision. Gloria meets Maximillian Glanz in the process. Together with their mutual friend Lino, the two experience adventures that are as turbulent as they are insane...

Erika Seipold is getting divorced after more than 30 years of marriage. The six-part series very successfully depicts the fate of a woman well over 50 who has been "dumped" from the perspective of the early 1970s, when it was still normal for wives not to have a career and, after a divorce, not only fell into an emotional hole but also had to endure existential fears. Her selfish children and largely unsympathetic environment offer little help; everywhere the protagonist encounters the stigma of being an older, single, supposedly useless member of society – a foreshadowing of the dark side of the cult of youth.