Ben Van Meter

A joyous, chaotic and colorful romp through nature; A psychedelic dance troupe rehearses in a studio.

A color sound meditation on the erstwhile Warhol superstar.

Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min

The Poon Tang Trilogy (1964, B/W, sound) is a brief film composed of three 3-minute segments: in the first tableau, footage of the Hindenburg disaster is projected on the nude body of a young woman; in the second section, Civil Rights protesters are dragged away into police vans to the accompaniment of the '50s r&b hit "I Just Love Your Sexy Ways"; in the final portion of the film, another young woman attempts to remove a floating black bar which seeks to obliterate from the spectator's gaze various portions of her anatomy.

The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.

(After or for Jean Vigo). A study in visual rhythms and structure, using the same basic element repeated with variations.

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.

Experimental documentary about the San Francisco scene.