Peter Roggisch

Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.

A poignant film essay about 'superfluous people' facing up to a moment of crisis in their lives.

Famous Nazi doctor Josef Mengele — the 'Death Angel of Auschwitz', who killed more than 300.000 people — emerges from his hideout in Argentina to Germany as a 87-year-old man, and must stand for his crimes in court. The young solicitor Peter Rohm is assigned to defend him, but Rohm himself — an expert on Mengele and his crimes — feels unable to do so. When he decides to take on the case, he endangers not only his marriage but also his and his wife's lives.

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.

Ulrich Mühe plays a German businessman who was born completely without scruples. This makes him an eminently suitable candidate for success in the chaotic years after World War I. The shameless man's story is contrasted with that of his polar opposite, a Jewish anarchist.

Dutch police inspector Piet Van der Valk finds himself repeatedly crossing paths wiht the beautiful yet troubled Lucienne Englebert, the daughter of a famous conductor recently killed in a car accident. Whern the maverick inspector investigates the seemingly senseless killing of a man in Amsertdam, will Lucienne turn up again?