Philip Ober

Acting

Philip Ober

Born March 23, 1902 · Fort Payne, Alabama, USA

Died September 13, 1982 · aged 80

Philip Nott Ober (March 23, 1902 – September 13, 1982) was an American screen and stage actor. He later retired from acting to work as a diplomat. Ober is best remembered for his roles in the films From Here to Eternity (1953) and North by Northwest (1959). His other notable credits include The Magnificent Yankee (1950), Broken Lance (1954), Torpedo Run (1958) and The Ugly American (1963).

Known For

North by NorthwestNorth by Northwest · 1959
North by Northwest
8.01959
MovieThrillerAdventure
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
From Here to EternityFrom Here to Eternity · 1953
From Here to Eternity
7.31953
MovieWarRomance
In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
Broken LanceBroken Lance · 1954
Broken Lance
6.51954
MovieAdventureDrama
Tensions erupt within an Arizona cattle baron's household when his three sons vie for control of the ranch.
Elmer GantryElmer Gantry · 1960
Elmer Gantry
7.31960
MovieDrama
A charismatic charlatan begins a business — and eventually romantic — relationship with a roadside evangelist to sell religion to 1920s America. Based on Sinclair Lewis' novel of the same name.
The Ghost and Mr. ChickenThe Ghost and Mr. Chicken · 1966
The Ghost and Mr. Chicken
6.71966
MovieComedyFamily
Luther Heggs, a typesetter for the town newspaper, pitches an idea for a story about a local haunted house where a famous murder/suicide occurred 20 years earlier. After the editor assigns Luther to spend one night alone in the mansion, Heggs has a number of supernatural encounters and writes a front page story that makes him a hometown hero...until the nephew of the deceased sues him for libel.
Tammy and the BachelorTammy and the Bachelor · 1957
Tammy and the Bachelor
7.01957
MovieComedyRomance
An unsophisticated young woman from the Mississippi swamps falls in love with an unconventional southern gentleman.
Beloved InfidelBeloved Infidel · 1959
Beloved Infidel
6.01959
MovieDramaRomance
In the late 1930s, Sheilah Graham’s Hollywood column quickly becomes popular for its biting tone. At a party, she meets author F. Scott Fitzgerald, and the two begin a torrid affair. Scott laments that his writing has fallen out of fashion, and when he is fired from his screenwriting position, he begins drinking heavily. Soon his intrusive, volatile behavior threatens their relationship and Sheilah's career.
Torpedo RunTorpedo Run · 1958
Torpedo Run
6.11958
MovieWarDrama
A submarine commander is on a relentless pursuit of a Japanese aircraft carrier in the South Seas during World War II.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.