Leo G. Carroll

Acting

Leo G. Carroll

Born October 25, 1886 · Weedon Bec, Northamptonshire, England, UK

Died October 16, 1972 · aged 85

Leo Gratten Carroll (25 October 1886 – 16 October 1972) was an English actor. He is best known for his roles in six Alfred Hitchcock films - Rebecca, Suspicion, Spellbound, The Paradine Case, Strangers on a Train, and North by Northwest - and the television series Topper, Going My Way, and The Man from U.N.C.L.E.

Known For

North by NorthwestNorth by Northwest · 1959
North by Northwest
8.01959
MovieThrillerAdventure
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
RebeccaRebecca · 1940
Rebecca
7.91940
MovieMysteryRomance
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
Strangers on a TrainStrangers on a Train · 1951
Strangers on a Train
7.71951
MovieCrimeThriller
A charming psychopath tries to coerce a tennis star into his theory that two strangers can commit the perfect crime by exchanging murders—each killing the other’s most-hated person.
The Parent TrapThe Parent Trap · 1961
The Parent Trap
7.01961
MovieComedyFamily
Two identical twin sisters, separated at birth by their parents' divorce, are reunited years later at a summer camp, where they scheme to bring their parents back together. The girls, one of whom has been living with their mother and the other with their father, switch places after camp and go to work on their plan, the first objective being to scare off a gold-digger pursuing their father.
SuspicionSuspicion · 1941
Suspicion
7.11941
MovieMysteryRomance
A sheltered heiress falls for a charming playboy and elopes with him, but soon discovers his gambling vice and mounting debts. As his lies deepen and those around them meet mysterious ends, she begins to suspect that her husband’s affection may conceal a deadly motive—and that she could be his next victim.
SpellboundSpellbound · 1945
Spellbound
7.41945
MovieThrillerMystery
When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.
Wuthering HeightsWuthering Heights · 1939
Wuthering Heights
7.21939
MovieDramaRomance
Young orphan Heathcliff is adopted by the wealthy Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Cathy. The two share a remarkable bond that seems unbreakable until Cathy, feeling the pressure of social convention, suppresses her feelings and marries Edgar Linton, a man of means who befits her stature. Heathcliff vows to win her back.
Waterloo BridgeWaterloo Bridge · 1940
Waterloo Bridge
7.51940
MovieDramaRomance
On the eve of World War II, a British officer revisits Waterloo Bridge and recalls the young man he was at the beginning of World War I and the young ballerina he met just before he left for the front.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.
Cavalcade of AmericaCavalcade of America · 1952
Cavalcade of America
4.61952
SeriesDrama
Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

William Penn