Jean-Paul Moulinot

The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.

Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.

After being freed from a Vietnamese war prison, French Lt. Col. Pierre Raspeguy is sent to help quell resistance forces in Algeria. With the help of the Capt. Esclavier, who has grown weary of war, and Capt. Boisfeuras, who lives for it, Raspeguy attempts to convert a rugged band of soldiers into a formidable fighting unit, with the promise of marrying a beautiful countess if he's made a general.

Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.

Albert is an eccentric inventor of missiles who comes under fire from his investors when his first prototype explodes. Even his sympathetic mistress has her doubts, as Albert lashes out in a verbal tirade condemning those of little faith in his genius.

An American agent disappears after a scuba diving reconnaissance mission in Corsica. The Secret Service sends agent code name OSS 117 to investigate.