Mateus Rameh

João Neves travels to the city of São Marcos, to take a magic course, and stays at his cousin Danilo's apartment. The latter, however, has no patience for João and leaves him alone in the apartment, in which he remains only with himself... And his deck.

A man faces the consequences of getting home distracted after buying some fruits at the supermarket.

Five brothers, the Silvas, go alone to the Olinda beach, in Pernambuco, Brazil.

A heavy rain hits a dike, leaving it on the verge of a collapse. There is no safety and it is not possible to predict when it’s gonna end.

In Esdras Baptista's film archives, kept at his home for decades, one can feel the fervor of those who believed in a new tomorrow. Filmed in Brazil in the early 1960s, in the heat of a libertarian political movement, the filmmaker's images materialize the incandescence of collective desires at the historic moment of their emergence. Utopia, though unattainable, is never a mere abstraction. A force that mobilizes actions and feelings, it constitutes the impetus necessary for human existence.

The tale of a shattered La Ursa, an imprisoned image that carries another one within it, a lurking one. From the inside of the void, La Ursa faces back a turmoil world that crumbles and destabilizes. You can only see a reflection, a snip, a Carcase.

Juana's parents are getting a divorce. She doesn't know it, but deep down, she does. Amidst absences and small moments, Juana tries to reclaim the love and lightness of her family life. Which is difficult, because her parents are never together. Most of the times, her father just isn't there. Until he is. "Five, Six, Seven, Eight" is a film about love that, even when it seems to no longer be there, never truly ceases to exist.

Tatisa eagerly gets ready to go to the highly anticipated Green Ball, but chooses to ignore her father who is dying in silence in the next room. Her friend Lu, who anticipates this tragic end, tries to help her come to terms with the inevitability of loss. Amidst the sparkle of beads and the obscurity of death, Tatisa finds herself paralyzed in her denial, unable to accept the impending grief.