Mário Zambujal

Serpentina

Oliveira do Hospital, 1995. A screenwriter looking for inspiration, a failed actor trying to get back into the spotlight, and a suitcase full of cash hidden in a chimney. These are the ingredients of Serpentina, whose characters, while trying to make a movie, find themselves in a gangster film they don't know how to get out of. This film is part of the Contado Por Mulheres (Told by Women) project. This is a unique project in Portuguese audiovisual media that brings us the freshness of new female directors, all from different generations and recognized for their talent in various areas such as cinema, theater, dance, and advertising.

Chronicle of Good Hoodlums

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Alta Definição

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

Old Friends

Freedom is a state of mind... Carlos, José and Matias are three old friends who have known each other since childhood. José lives with his daughter, his son in law and his nine-year-old grandson Pedro. Being a grandfather is his only true source of happiness. Carlos is retired and spends most of his days tinkering. Matias, on the other hand, is a widower and lives alone and abandoned, as his son is living abroad. Each of them has a strong and contentious character of their own, but they are all joined by a deep friendship. When José is sent to a retirement home, Carlos and Matias set a plan to bust him out. They sneak into the retirement home and take him away from that depressing environment in which he was discarded. They know that they can’t come back home, so they decide to spend a while in Matias’ house up north. But, in the middle of their escape, they find José’s grandson snuck in there. Pedro doesn't want to leave his grandpa and insists on accompanying them in their journey.

Nós os Ricos

Nico d'Obra

Sozinhos em Casa

Isto É o Agildo

Serpentina

Oliveira do Hospital, 1995. A screenwriter looking for inspiration, a failed actor trying to get back into the spotlight, and a suitcase full of cash hidden in a chimney. These are the ingredients of Serpentina, whose characters, while trying to make a movie, find themselves in a gangster film they don't know how to get out of. This film is part of the Contado Por Mulheres (Told by Women) project. This is a unique project in Portuguese audiovisual media that brings us the freshness of new female directors, all from different generations and recognized for their talent in various areas such as cinema, theater, dance, and advertising.

Chronicle of Good Hoodlums

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Alta Definição

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

Old Friends

Freedom is a state of mind... Carlos, José and Matias are three old friends who have known each other since childhood. José lives with his daughter, his son in law and his nine-year-old grandson Pedro. Being a grandfather is his only true source of happiness. Carlos is retired and spends most of his days tinkering. Matias, on the other hand, is a widower and lives alone and abandoned, as his son is living abroad. Each of them has a strong and contentious character of their own, but they are all joined by a deep friendship. When José is sent to a retirement home, Carlos and Matias set a plan to bust him out. They sneak into the retirement home and take him away from that depressing environment in which he was discarded. They know that they can’t come back home, so they decide to spend a while in Matias’ house up north. But, in the middle of their escape, they find José’s grandson snuck in there. Pedro doesn't want to leave his grandpa and insists on accompanying them in their journey.

Nós os Ricos

Nico d'Obra

Sozinhos em Casa

Isto É o Agildo

Lá em Casa Tudo Bem

Os Imparáveis