Germán Castelnuovo

Silvia Monteferrante, a young literature professor, suddenly finds herself embroiled in the investigation into the death of her ex-husband, a police sub-inspector. His disappearance also leads to the loss of funds belonging to an organization embedded within the police force itself, of which her ex-husband was a member. She must retrace his last movements, unaware that she is being used as bait and the only way to find the location where the organization's funds are physically hidden. But nothing, not even death, is what it seems.

Only a miracle can save the club San Telmo descending category. Everyone is waiting for the arrival of a Brazilian soccer player, a messiah of soccer that will guide them towards salvation in the match of the outcome. But when stepping on Buenos Aires, Santo will find a city full of dangers and must live an odyssey to get to the field, where he will face his fate.

Worms in the Snow is an experimental and timeless fiction in black and white. A film of fragments. A surreal policeman. A movie to BE IN THE MYSTERY.

Hernán begins a new day, and things don't seem to be going well for him from the moment he opens his eyes. He will discover what is the truth behind those incidents in the mouth of Emiliano, his best friend, who knows perfectly well what the solution is: we must avenge El Gallego.

Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.

Celina works at a remote tollbooth on a desert road, few days before Christmas, her father dies and Celina becomes a door-to-door encyclopedia saleswoman so she can earn enough money to travel to Italy and find her mom.