Ferit Karol

Yılmaz is the dealer and close friends of famous filmmakers and actors. With the increasing drug operations in Istanbul, Yılmaz is getting paranoid about not being loved by them anymore. This paranoia makes him take bigger risks day by day and he will be destroyed by the desire for being loved.

Orhan is a quiet family man. On the one hand, he takes care of her mother, who is in a coma due to a house accident, and on the other hand, he deals with the debt he has left because his friend disappears. In this process, he gets out of tune with his family and gradually loses his father's role. Orhan, who goes into additional job trials such as interviewer and taxi driver to cover the debt, increasingly becomes another man.

How does it feel when we realize we have no more in common with the people who made us who we are? Önder goes to visit Mehmet, the cousin he has always looked up to and loved like a brother, but not seen for some time. Although the evening begins brightly, Önder realizes by the end that the brother-like bond between them is a thing of the past.

The story of little Kenan, who takes the batteries of his father's azan-playing alarm clock to listen to the tape in the tape-player he found in the woodshed of their house.