Neil Alvin Delas Alas

1617, Las Islas Filipinas. The Spanish friar, Father Enciso, the encomendero of one of the islands, rules with unrelenting toughness and an insatiable libido to tame the savages.

One of the Philippines' top investigators, Lieutenant Hermes Papauran, faces a deep moral crossroads. As a firsthand witness of the murderous anti-drug campaign conducted by his force, his anxiety and guilt triggers a severe skin disease, and his healing process is fraught by his dark past.

With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor of the hacienda and businesses of his powerful clan, agonises on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. Aware of his clan’s long history of violence, Monzon knows the very violent history of his county and foresees a very violent future with the dictatorship.

To this day, Ishmael Bernal's movie Himala is still in our town, in our world. This will be reflected in the broader perspective of the majority, of the surrounding events. Beliefs still lie in the truth. Consciousness is still dominant at the level of illusion. The naive, savage, cruel, and selfish politics still prevail.

Tomas, the old venerable mayor of the remote town of Kawalan, learns that the invading Japanese will set up a garrison there. He organizes willing members in his community to set up a hidden settlement in the middle of the forest, where they can live unaffected by the horrors of war. As a young revolutionary during the 1896 fight against Spain and then as a soldier fighting against the Americans, Tomas had witnessed the effects of violence on people and become a pacifist. Now, he must see if inhabitants of the hidden settlement can escape the sufferings wrought by the war.