Bill Moor

Aspiring Florida defense lawyer Kevin Lomax accepts a job at a New York law firm. With the stakes getting higher every case, Kevin quickly learns that his boss has something far more evil planned.

Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.

Herbert Stempel's transformation into an unexpected television personality unfolds as he secures victory on the cherished American game show, 'Twenty-One.' However, when the show introduces the highly skilled contestant Charles Van Doren to replace Stempel, it compels Stempel to let out his frustrations and call out the show as rigged. Lawyer Richard Goodwin steps in and attempts to uncover the orchestrated deception behind the scenes.

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Naïve Michael Jordon is drawn into a web of government secrets when a girl carrying a mysterious package gets into a taxi with him. When she's later murdered, Michael becomes the chief suspect and goes on the run.

Joe's a car salesman with a problem—he has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (he's two-timing), a missing teenage daughter and an ex-wife.

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.

Martin works at the local radio station, which just hired a new scriptwriter with a reputation for great drama, Pedro Carmichael. Martin’s aunt Julia, not related by blood, returns home after many years away and Martin falls for her. Once Pedro finds out about this romance, he starts incorporating details of it into the script of his daily drama series. Soon, Martin and Julia are not only hearing about their fictional selves over the radio, but about what they are going to do next.