Daniel Yepes

On the days before a departure, the mysterious characters of Rubicón take us around the streets of a town, any old town, in an unknown country. The burning light
of the afternoon, a suitcase that is packed, whisperings… A film suspended in time, like a sense of dizziness before the departure.

An infinite of unexpected connections is breaking everyday life. A meteorite, fleeting and burning, crosses the immeasurable city. It explodes in the intimacy of a skyscraper, and it explodes in their body which takes to dancing as a vital impulse. There is nothing more intimate and universal as dancing alone with music.

A girl travels through an abandoned world full of shadows and ghosts. She tries to discover the reason why her world has vanished and how this is linked to her own past.

Elisa plays Russian roulette with her father's revolver. She calls the suicide hotline and Lisandro answers the phone. Who of the two will face their worst ghosts?

A pair of ex-lovers argues in bed about their past relationship. They reminisce as each image from their memory comes alive as if it was happening right there. A conversation, banal in its nature, with hints of a video-essay and meta-cinema, ends up exploring the different ways in which we can recall love.