Muhammad Dzulqornain

Two friends, one Papuan, one Javanese, make a film together. Going through the footage they shot, they end up discussing the conflicted relationship between Papua and the rest of Indonesia.

This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

Adam (26), a bus driver from Surabaya - Jember, always works with Yudha (35) as a driver and Bagus (29) as a conductor with minimal income. At that time, Ana (23) who is Adam's girlfriend participated in the trip to Jember. Unexpectedly, Ana brought news that if Adam did not immediately propose he would be an arranged marriage.