Kadet Kuhne

A collaboration between Kadet Kuhne & Alba G. Corral.

A haunting commemoration of the Tiananmen Square uprisings.

Third is an experimental narrative with a second life in its deeply layered soundtrack. Lit for night, and gelled for theatricality, Third looks at a trapped couple and their final release/demise.

Paul Clipson unexpectedly exchanged his court sound engineer, Jefre Cantu-Ledesm, for a promising artist named Kadet Kuhne, who presents herself in this experimental film with ambient meditation drawing on the theme in Barake from 1992. Cadet is a very interesting creature who not only makes music but audiovisual art, sculpture, photography and canvas.

Pulsing flashbacks from the summer of love reawaken a queer California classic.

In the brief moments before a hate crime occurs, a young woman imagines her escape.

Based on concepts of emergent strategy, Sym envisions a response to individual resistance that shifts the focus toward collective interdependent metamorphosis, becoming-with others’ intricate, non-linear, tentacular structures, and the embrace of change as adaptive transformation.

Through voiceover and static San Francisco landscapes this experimental narrative short tells the melancholy story of a butch dyke pining over a one night stand with a straight girl.

Black - once Blue - is now a trans man who works as a security guard in an apartment complex in Oakland. One night, Black notices an ex- girlfriend partying with some other women in one of the buildings. As none of the other security guards want to watch 'the lezzie party', Black volunteers to, thinking he may resolve some inner conflicts from the past. However, things take a turn for the worse.

This is the story of the first martyr of free speech. Socrates is on trial for his life. He will be put to death. 2,500 years later we remember his words.

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

Over the weekend of October 11, 2002, my uncle along with two friends set out on a camping trip in the Sierra Nevada mountains. Upon returning home, they were changed men, and recounted tales of alien abduction. Today, only two of the three men are alive to tell the story of what unfolded before, during, and after that fateful outing, and they're convinced it was extraterrestrial. This film explores the haunting accounts of two friends who underwent an alien abduction experience while camping in the remote mountains. Featuring psychedelic visuals and an alien hand print, Ten Eleven O Two opens a plethora of questions and is a must-see for anyone interested in the paranormal. Based on the true life events of Ken Mathis and Adolph Santistevan.

Bambi Lake, a notorious San Francisco transgender performer and entertainer, takes us on a stroll down Polk Street, sharing anecdotes and the history behind her song Golden Age of Hustlers, which was written about her time as a street hustler in the mid-70’s.

Hold your breath for this tempestuous ride through bondage, suspension and the power of the mind. Electrical impulses produce reactionary states in this adrenaline-packed spectacle, as charged sonic frequencies express various states of embodied dissonance and willful determination. Fight or Flight features a bound figure in flight, held in position by an unrevealed source. This unknown source points to whether or not the figure is in a consensual position with the goal of addressing what one may feel bound or liberated by, and what choices may be involved in those conditions. The universality of experiencing internal and external limitations, discomfort and anxiety in one's own skin and the trappings of mind contrasted by determination and liberation of spirit is explored.

Dutch doors, warehouse windows, and empty streets provide the background for a short tale about past lust and lost love. This glimpse into the drama of a lesbian relationship is revealed through stark visuals and the measured pace of the voice-over, providing a clever contrast between how we see and what we hear.