Miša Skalskis

Toxoplasma Gondii lives and works inside a human body.

Sonzai Zone is a speculative fiction film on intimacy and loneliness after the normalization of ambient communication media. An unlikely encounter between Yún and Souvd takes place in a near-future where social interactions are largely based on the mediation of human presence, known as ‘Sonzai-kan’. Shifting between XR games, Immersion Arcades and spatial home displays, their insidiously orchestrated relationship escalates into extreme idealization. Meanwhile, Souvd’s ex-girlfriend Ntzumi launches into undercover investigation.

A musician on his way to meet a fellow fiddler, encounters two girls and is taken aback by their talks about afterlife. The musicians walk towards a village observing events, unable to discern phantasy from reality. Later, both men attend a funeral, where archaic rituals intertwine with the practice of marrying a dead girl to an ‘afterlife groom’.

In a perpetual loop of representation of the self-designed DIY religion, a thermal imaging video showing close ups of a face, a pole dancer.

"Vanity of vanities, says the Preacher, vanity of vanities! All is vanity." (Eccl. 1:2; 12:8) ‘Vanitas’ portrays four, unemployed characters in the future: a singer, a what-naut, a gamer and an office building. Revolving around the characters’ observations, it wonders about the transient and often meaningless seeming nature of human activity.

You are in a gargantuan depot. There is a tool you need. You find it easily based on the directions above the shelves. As soon as you grab it you feel it needs another object to be complete. But it doesn’t stop with the discovery of the second thing. Before you know it, you already have a whole trolley filled with useful things. Yet how useful? And for what? You need to make them make sense.

The video focuses on nipples as interfaces, milk as a political fluid, and mouths that sing and suckle other beings for nutrition and intimacy.