Sofia Botelho

I recorded four years of the life of a great friend of mine in the attempt to catch some sort of catharsis. As I tried to deal with endings that were taking place in my life, the inevitable happened to him. His mother passed away without leaving any record on video. This is a movie to refrain from the fear of forgetting.

Cíntia works from home and lives alone, except for the company of Janete, her robot vacuum. Upon returning to in-person work, she confronts the exhaustion and the possibilities of her new routine.

Álvares de Azevedo was a 19th century Brazilian romantic writer. He died prematurely (died at the age of 21), but left a significant work for Brazilian literature. Among her, the novel “Noite na Taverna”. The film, loosely inspired by the book, tells a day in the life of its author in parallel with that which is one of its darkest and most complex characters, Johann. Inserted in the same universe (a hypothetical São Paulo of 1850), Álvares lives a normal day of his academic life while Johann is involved in a death duel that triggers in several other consequences such as murder and rape.

In an old, dilapidated mansion in downtown São Paulo, an old Shakespearean actor exiled from the stage lives with his ghosts. In his bed, surrounded by red curtains taken from an abandoned theater, he dreams of the plague and fire spreading throughout the country. A strange community forms around the old actor.