Jon Devlin

The two lives of a suicide hotline operator and a recently kidnapped trauma survivor collide in this tale of botched suicide and unconventional redemption.

An innocent college student must fight for her life inside a jungle prison with an evil wardress who uses voodoo experiments and a torture machine.

Father Adam, the local priest, has his world turned upside down when he encounters an evil seductress who intends on manipulating him for nefarious and otherworldly purposes. The sultry Eve has been set out on a mission by an unknown supernatural force and will succeed by any means necessary.

Joe Stryker was the best damn cop around, until his wife was brutally murdered by an evil drug pushing organization. Since then the city has gone to hell and Joe has become consumed with vengeance. He won't stop until the criminal responsible pay, and this debt can only be paid with blood.

When a Forensic Cleaner comes across an unusual crime scene- something about the body defies explanation. Meanwhile, a rookie cop who first on scene becomes violently ill and butchers his entire family in the most cruel and clinical manner. As the Cleaner and police attempt to piece together the clues, a horrifying truth emerges: something is releasing a viral agent that warps the mind, turning those exposed into violent maniacs.

A daring horror-anthology film built from seven segments, each by a different director, unified under the theme of taboo, the body and the repressed. The collection turns its gaze toward the most demonised and fetishised frontier of bodily representation — the anus — and uses this “hidden” territory to explore anxiety, identity, desire, repression and liberation. The stories vary in tone and style—some digital-age allegory, some dream-like psychological journeys, some extreme body-horror—but all form a choral fresco: each segment maintains its individual voice while entering into a dialogue with the others. The project positions itself not simply as provocation but as a political, aesthetic dissection of the obscene, asking where cinema’s boundaries lie, and what is suppressed, shown or revealed.

When five teens play a drinking game in 1987, things take a mysterious turn and a demon is accidentally summoned.

A flat tire leaves a newlywed couple stranded in a bizarre town plagued by a monster that has a light for a face.