Samuel Picas

For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.

In Saint Pierre et Miquelon, a tiny French archipelago in the North Atlantic, a group of teenagers have just graduated from high school. Urged to continue their studies, it's time to leave for mainland France and Canada. Manon, Evie, Enguerrand and their friends are about to spend their last summer on the islands together. In the turmoil that precedes this leap into the void, these budding adults, like previous generations, are confronted with this particular moment in their lives. They'll have to leave. But they are islanders, and this departure has the air of exile, of uprooting with no certainty of return. As they leave adolescence, they will be uprooted from their land, crossing a border that is both symbolic and physical. The idea is that something happens here that is more observable than elsewhere, something that concentrates and accelerates the transformations of the teenagers' personalities.

An investigation into the global nature and epidemic scope of depression, shown from a societal point of view challenging the individual notion of depression. We look at the collective causes of depression with sociologists, social workers, and neuropsychiatrists on the subject’s cutting edge.