Antonín Bubeník

Famed outlaw Lotrando sends his son to a strict Catholic boarding school to learn manners, but the boy becomes too polite to lead the band. When they inadvertently arrive in a sultanate where the princess Zubeida lies gravely ill and are mistaken for physicians, father and son must overcome their inexperience and imposture to heal her and save the realm.

A classic Czech comedy about the privatization of a small South Bohemian brewery. In a series of comical situations, good Czech police officers encounter the mafia, and honest citizens encounter swindlers. This amusing story, which of course includes a romantic subplot, is significantly influenced by fairy-tale creatures that suddenly emerge from the distant past.

The story begins in 1984 in Prague, Czechoslovakia, few years before the end of Communist era. The band Pražský výběr (Prague's selection) has just received the news thier 5-year ban has expired and they are alowed to perform once again. This half fantasy half document about the band would draw the atmosphere of middle european late Communist era and the eufory of it's end.

The fate of an unlucky director of a dismantled cultural house who temporarily believes in the meaningfulness of his actions, exposed to the pressure of many different difficulties.

People can be addicted to things, like high-calorie food. But the struggle against overweight and overeating is often futile, so the unfortunates have no choice but to lose weight under the guidance of experts - and they don't mind that the conditions in the sanatorium in question are quite oppressive and humiliating. Although, with a lot of good will, one could detect some metaphorical elements, the bitter comedy, reveling in naive stylisation, ultimately wants to be nothing more than an entertaining piece of work.

The suffocating conditions in a bourgeois family were depicted in several films in the second half of the 1950s - this one is one of the lesser known, although it achieves great emotional impact, free from the first ideological pressures. The title character, the owner of the tenement house Mrs. Dulská, controls her relatives and tenants with a firm and despotic hand. To achieve her goals, she masterfully combines tears, blackmail and insidious intrigues, or does not hesitate to abuse the trusting and handsome maid Hanka when she wants her son not to fool around. Everything suddenly turns around when Hank gets pregnant... But the appearance of a good reputation is more important to her than anything.