Ayu Kitaura

After an outburst at school involving her son, a concerned single mother demands answers, triggering a sequence of deepening suspicion and turmoil.

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Ooejo Agricultural High School is located in Hokkaido. Most students are from families involved in agriculture and their dreams are to continue working in agriculture. Meanwhile, Yuugo (Kento Nakajima), who graduated from a prestigious middle school, applied to the Ooejo Agricultural High School just because the school has a dormitory. Yuugo, who grew up in the city, finds himself in an unfamiliar environment at Ooejo Agricultural High School, surrounded by nature and animals. Yuugo is also the only one who doesn't know what type of career he wants to pursue. Yuugo becomes impatient. He goes through struggles everyday, but he also gets to know the other students and rural life in general. He begins to grow as a person.

Masuda, an aspiring journalist, plans to write an article in order to expose his co-worker Suzuki, who is a psychopathic murderer according to Masuda.

Kinuko was married to her husband for many years, but her husband passed away. Since then, Kinuko has lived in the same home with her granddaughter Nagisa.

Kazuto has a lifelong dream of becoming an actor, but has been suffering from a special medical condition where he faints and collapses when he gets nervous. One day, he encounters his brother, Hiroki, who who he hasn’t seen for years. He invites Kazuto to a talent agency called 'Special Actors'.

While researching a story on a school for problem children, Nakahara meets Emi, a college volunteer with a compelling tale of her own. After overcoming her initial reluctance to open up to the writer, Emi talks about her busted leg and her childhood friendship with the chronically ill Yuka.

A drama of two aging women who live a solitary life collecting discarded items from a nearby town. One day they return home to find a young girl knitting a red sweater in their house. Each time the girl finishes her dress, she promptly unravels it and the mystery unfolds.

The making of the movie "Nobody Knows" by award-winning director Hirokazu Kore-eda.

Five passengers stare at a middle-aged man weeping on a train - a young man with a broken heart, an office worker exhausted from work, a new station attendant, a salaryman who cannot cry, and a lost high school girl.

Omnibus film that tells five stories from a radio station and its listeners.

Haruo, a director, auditions for a film already partially shot in Taiwan. Thus he meets Ma, a young Taiwanese skater just as disoriented as he is.

"Anyone can become a detective."

Akio, a piano tuner, visits the kimono shop owned by the Nishimuro family. Their only daughter, Teru, accidentally farts in front of him while serving him tea. In the awkward atmosphere, Akio somehow finds himself falling for her as he watches her leave the place, hiding her embarrassment.

The drama revolves around Kounotori Sakura, an Ob-Gyn doctor working at the Persona General Medical Centre who is also a gifted jazz pianist. His mother had died in childbirth and he was brought up in an orphanage, which is what fueled his ambition to be an ob-gyn. He hopes to be able to deliver every baby to this world, congratulating them on the gift of life given to their little bodies. (Source: TBS)

The Mobile Investigative Unit (known as "MIU") of the Tokyo Metropolitan Police Department attempts to solve cases within 24 hours. Detective Kazumi Shima is selected as a new member of MIU. He is intelligent, with excellent observation and communication skills. Yet, he does not trust other people. He is unable to find a partner in MIU and is ordered to partner with Police Officer Ai Ibuki, who works at a police substation. Ibuki applied for MIU, but he failed. He is in excellent physical condition, but he lacks knowledge and experience as a detective. Shima learns about Ibuki's background and he becomes more nervous. Finally, Shima has his first meeting with Ibuki.

Freelance programmer Sakagami is paralyzed in the lower half of his body and confined to a wheelchair. He sets up a company called dele.LIFE in partnership with a law firm established by his late father. At the request of clients, Sakagami works together with a freelance jack-of-all-trades Mashiba to delete all unfavorable digital records of their clients left in their computers and smartphones after they die. They are not supposed to see inside the files but when they feel something strange in the client’s death, they cannot help getting involved.

A slice of life comedy where Furutachi Kanji and Takito Kenichi play poor brothers Ichiro and Jiro respectively. Older one (Ichiro) is very serious while the younger one (Jiro) is trying to start rental father/uncle service and they have to deal with issues from their clients.

Tokunaga, a comedian who is down on his luck, has a shock encounter with Kamiya, an older comedian, when he visits a fireworks event in Atami on a job. Tokunaga is deeply touched by Kamiya, and asks if he can become his apprentice. Kamiya is a genius type of comedian, who is full of human kindness. He accepts Tokunaga’s proposition on the condition that he will write his biography.

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.