Henri-Georges Clouzot

Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting several cases of dynamite (which is so old that it is dripping unstable nitroglycerin) across dangerous jungle terrain.

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

The wife and mistress of a cruel school master collaborate in a carefully planned and executed scheme to murder him. The plan goes well until the body, which has been strategically dumped, disappears. The psychological strain starts to weigh on the two women when a retired police investigator begins looking into the man's disappearance on a whim.

As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.

The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo -- his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.

In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.

Working extremely hard to keep his hotel afloat, Paul begins hearing voices in his head. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul's downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.