Joaquim Pedro de Andrade

Comedy in 4 segments. In "Arroz e Feijão" (Rice and Beans), owner of a boarding-house seduces her young countryboy tenant. In "As Três Virgens" (The Three Virgins) three spinsters are influenced by the behaviour of their teenager niece, whom they are lodging. In "O Arremate" (The Purchase) a colonist turns his virgin daughter in to a landowner, to have his debts forgiven. And, finally, in "Vereda Tropical" (Tropical Trail), a man becomes sexually obsessed by a watermelon, to the point of having sexual intercourse with it. The stories are based on prize-winner short stories, from a Playboy contest.

In the island of Paquetá, professor investigates the genital vocation of vegetables and fruits, maintaining sexual relations with a watermelon. In his experiences, he counts on the interlocution of an attentive student.

Institutional film made for Petrobras in 1958, through a public announcement, about the company's actions for the training of technicians specialized in petroleum engineering.

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.

O Aleijadinho, a study of the work of Antonio Francisco Lisboa, the architect whose cathedral de Andrade had assisted in the restoration of more than 20 years earlier. de Andrade dedicated the film to his father, who had sent him on the expedition.

Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

In a small town in Minas Gerais, the arrival of a young priest causes a commotion in the conservative atmosphere of the place, aggravated by the sudden attraction this priest feels for a beautiful girl. This forbidden love affair soon turns into an unbridled passion.

An hour-long conversation with Brazilian Cinema Novo director Joaquim Pedro de Andrade conducted by Sylvia Bahiense.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

The real story of the failed attempt of an independence coup by a group of intellectuals and rich men during Brazil's colonial days, from its beginning to the execution of Tiradentes.

After staying the day at the gym, eating and drinking, Carlos, a fat man, go meet his parents, Helena and Jorge, at the party they are throwing. He is drunk and end up having a fight and leaving home.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Short documentary about the ideology of publicity and mass medias.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Documentary about the most famous dribbler in Brazilian Soccer (some say in Soccer's history!) at the zenith of his career, showing classic scenes of 1958 and 1962 World Cup. Garrincha was a very original and talented player, having curved legs. Women and alcohol were his passion, and the cause of his later decadence. After a glorious career, he died in financial misery, forgotten.

The arrival of a chemical plant in a fishermen haven brings along social transformations, interfering with the local traditions. A landmark of Cinema Novo, the result of a partnership between Mario Carneiro and Paulo Cesar Saraceni.