María Romanillos

A collection of Halloween-themed videotapes unleashes a series of twisted, blood-soaked tales, turning trick-or-treat into a struggle for survival.

Carpenter Sergio runs away and hides in a closet after his boss fired him. When the closet arrives at its buyer's house, he decides to stay there, hiding in his new home living with an unknown family.

Gabrielle, Emma, Leire and Zoe are four 16-year-old girls who decide to spend a night of fun, confidences and alcohol in the gym of the boarding school where they study. Trying not to be discovered by Marga, the rigid and disciplined director of the center. In their conversations, we soon discover that the joy and spontaneity typical of their ages hide a terrible secret that will eventually emerge.

After participating in a séance, young Laura begins to behave strangely. Alarmed, her parents ask Father Olmedo, one of the few exorcists authorized by the Vatican to intervene in cases of demonic possession, for help.

Hormiguilla and her father are about to have a picnic. A secret hidden for years will explode, forever changing the course of their lives.

A group of teenagers looking for meaning and feeling a lot during a few beautiful days in March away from the real world.

After the death of their father, three siblings return to the family home where they grew up. They intend to sell it and follow their very different paths. But as memories surface in every corner, a fear of getting rid of the past and an impulse to reunite grows in them. As a last tribute to their father, there may still be time to make up for lost time and the house may witness new stories.

Since Fabiola saw her husband die in a diving accident, nothing has been the same again. Tired of not getting better, she decides to self-prescribe an unconventional therapy: together with her dad and her teenage daughter, she travels to a house her family owns in a small volcanic island. During this time of coexistence, each of them tries to protect their own privacy, and to safeguard their secrets. But all this secrecy triggers Fabiola’s paranoia. She has neither evidence nor certainty, but something tells her that things are not what they seem.