Ayman Kandil

Four friends find themselves in an unexpected dilemma after one of them falls for their principal's daughter. They find themselves on the run from a drug gang, a terrorist organization, and the police after they are accused of trying to assassinate the Minister of Interior.

The events revolve around the Rushdie Building in Alexandria, which revolves around a number of terrifying myths and tales, as it is rumored that it is haunted by spirits, and that anyone who approaches it and tries to live in it finds himself in the street, and an evil young man tries to prove the validity of these rumors about architecture.

The film revolves around three brothers of the same father, "Munir dangerous" . "Samir" (Ahmad Fahmy), is doubler of the artist Ahmed El Shakka in this films and "popular" (Chico) how loves music and is known for its relations with women, and "Baheer" (Hicham Maged), the son of an aristocratic family, the three brothers have was forced to travel together through time to the day met the father, three mothers, and through a series of events trying to comedy trio return to their time.

A film highlighting the issue of street children and the marginalized social class living under the pressure of economic conditions in a shanty district. Nahid escapes from her stepfather’s harassment only to become a victim of a horrible rape incident. She then becomes a dancer.

The events take place in a comedic context, where a businesswoman named (Magda) is exposed to many harassments, but she survives her enemies’ attempts to harm her, and is able to obtain her full rights from them.

An atmosphere of adventure and comedy surrounding Mohamed Homs and Mustafa Bandari, two sculptors who make small monuments about people on the streets until a large monument comes their way and they begin to plan and prepare to carry out the process together, thus events that were not in the plan.

In the wake of the 25th of January revolution, the authorities ask the Impersonator to take on the identity of the ousted president Mohamed Morsi and a number of Muslim Brotherhood leaders in order to save Egypt from the growing control of the Muslim Brotherhood.

When Tohamy Pasha, a producer, tries to find a way to evade taxes, his associate Wadi' comes up with an unusual idea: to produce a bad movie that the audience won't see.