Suzanne Friesen

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

In the near future, a teenage girl attends a virtual reality high school.

BARE BONES is an experimental short film written, directed and scored by DEBBY FRIDAY. Conceived during the Covid-19 lockdown and shot in Vancouver, BC on 16mm, the film tells the story of a young woman who swallows a bee and begins to undergo a hallucinatory and transformative experience. Abstract visual sequences depict time and space fracturing around her as she succumbs to wave after wave of pure feeling.

Letters from Tibet follows an exchange across time between a British colonial officer and a contemporary archivist. Tracing how Tibet has been framed through colonial correspondence, photography, and cinema.

When Vancouver based pro-wrestler Judas Icarus sustains a dramatic injury, he must go through the arduous process of recovery so he can continue his practice in staged combat. This small portrait of Judas Icarus is expressed not through a continuity of events, but through the human touch, forms of light, and repeated movements which surround his recovery. Featuring a cast of active PNW based pro wrestlers and musicians, Judas Icarus Twists His Wrist is inspired by the narratives found in pro-wrestling. Where the “real-life” documentary elements and fictionalized drama begin and end may blur, but one thing is for certain - the hits are real.

Already a successful portrait photographer, Hannah sets to reinvent this art form. Abandoning herself to a creative process that might easily be mistaken for madness, she's soon visited by mirror images of herself, as well as her daughter's ghost. Inspired by the life of photographer Hannah Maynard (1834-1918).

Nine artists across the continent document their sensory experiences of lockdown, and the results broke our editing program. What emerges is an absurdist collage that playfully flips the format of a video conference on its head. Filmmakers Alicia Eisen and Sophie Jarvis pose the question: is the human need to make sense of chaos an inherently chaotic pursuit?

A woman and man in their early sixties try to cure loneliness on a second date. However, when the man eagerly convinces the apprehensive woman to sneak into an abandoned bowling alley, the discord in their personalities becomes apparent.