Honoré de Balzac

In 19th century Paris, Bette Fischer, a poor and homely spinster, forms an alliance with the seductive courtesan Valerie Marneffe to orchestrate revenge on her handsome and wealthy relatives.

Lucien de Rubempré, a young, lower-class poet, leaves his family's printing house for Paris. Soon, he learns the dark side of the arts business as he tries to stay true to his dreams.

The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.

It's 1832, 22-year-old Raphaël's gambling has driven him to the brink of suicide. As he is about to throw himself in the Seine, a shopkeeper offers him something: a mysterious "skin of sorrow", which will grant all his wishes, but in doing so will shrink his remaining time on earth.

This is the sprawling saga of Honoré de Balzac, a man who created a great literary oeuvre from the dramas and adventures of his own life - a life that he shaped into one spectacular and unforgettable blaze of passion. At the heart of the story are the women in Balzac's life. Although gruff, unsophisticated, and far from handsome, Balzac exerts an irresistible fascination on women.

At a Spanish cloister, a celebrated French general of the Napoleonic Wars recognizes the voice of one of the nuns and recalls how, five years ago, she was the Duchess of Langeais, and he her most persistent suitor.

Felix Grandet reigns supreme in his modest house in Saumur where his wife and daughter Eugenie lead a distraction-free existence. Extremely avaricious, he does not take a favorable view of the beautiful parties who rush to ask for his daughter's hand. Nothing should damage the colossal fortune he hides from everyone. The sudden arrival of Grandet's nephew, an orphaned and ruined Parisian dandy, turns the young girl's life upside down.

When Colonel Chabert returns from the war, he discovers that he has lost everything.

A famous convict Jacques Collin, alias Trompe la mort, or abbot Carlos Herrera, also called Vautrin, escapes from prison. Chance makes him meet Lucien de Rubempré, an impetuous and eternal lover who, when he is dismissed, collapses. Moved by this fragility, he takes him under his wing, and will do everything possible to ensure that his creature reaches happiness, even if it means imagining the worst shenanigans and other scams, with the help of a band of clever villains.

A poor but ambitious young man arrives in Paris and settles down in the boarding house run by Madame Vauquer. He soon gets to know the guests: Victorine Taillefer, a young lady her rich father refuses to recognize; Horace Bianchon, a medical student; Monsieur Vautrin, a mysterious and disconcerting man; Goriot, a rich merchant who spent all his fortune for his daughters, Delphine and Anastasie, to make a rich marriage. Eugène becomes friends with Goriot but while the former, thanks to his cousin Madame de Beauséant, is introduced in high society, Goriot, both exploited and scoffed at by his daughters, continues his descent into hell.

Young French officer Augustin Robert escorts artist Jean-Michel Venture de Paradis to Egypt during Napoleon's Egyptian campaign. Napoleon sent de Paradis to record Egypt's great monuments and temples that are destroyed by French soldiers in acts of barbarism. During combat, Augustin and Jean-Michel are separated from their regiment, and they start wandering through the desert fighting for their life. In one of the canyons Augustin meets a leopard he names Simoom and a strange bond between them appears.

Intrigue and greed come between an immoral woman and the man who loves her. This film is believed lost.

Loosely based on Balzac's novel "La peau de chagrin", the story revolves around a man who steals a small, magical figurine named Narayana.

Gobsek the richest and most stragity usurer of Paris. The Countess by Anastasi lays will Gobseck family diamond my husband, for the sake of debt her beloved Maxim. This rash act she reveals to her husband her love affair.

An impressive masked figure, Trompe‑la‑mort reveals his true character through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.

Via the New York Times: "The Hungarian director Gyula Gazdag has transposed the middle section of Balzac's "Lost Illusions" from Paris in the mid-19th century to the Budapest of 1968... it tells of Laszlo Sardi - Balzac's Lucien Chardon - and his efforts to launch his literary career amid the snobbery and sophistication of a big city."

When the daughter of the miserly cooper Grandet is up for marriage, both families Des Grassins and Cruchot want to marry their sons to her and her substantial dowry. But the girl shows more interest in the impoverished cousin, whom she entrusts her entire fortune to.

An adaptation of the first part of Balzac's History of the Thirteen, centered on the secret society of the Thirteen and helmed by René Navarre in the titular role of the former convict who became a sublime father.

Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.

Nolff, a tough Breton fisherman is happy: his wife has just given birth to a son, Michel. His only wish is to make him a fisherman like him. But when he becomes a man, Michel becomes a good-for-nothing who spends his time in taverns.

"Don Juan woman", according to the expression of Balzac. A princess, a great seductress. Of a diabolical intelligence. This woman, who has had many lovers— almost all the male characters of the "Comédie Humaine“— will finally find love. The real one. The great one.

In '500 a noble Tuscan gives a banquet in which they are told bawdy stories: a cardinal tells dirty stories during a banquet that turns into a purge; a marquise is induced into temptation by an abbot; a tintora has carnal relations with a brother, and the two have a son; prisoner of Charles V , Francis I of France has a relationship with two Spanish and get an acquittal advance by the Pope; a group of cardinals contain a prostitute during a council; the Marquis Cavalcanti, rejected by the bride, vents his cravings with a syphilitic prostitute.

Edwige Feuillère and Pierre Richard-Willm star in director Jacques de Baroncelli's adaptation of the Balzac novella The Duchesse de Langeais, which tells the tale of a Parisian socialite who is romantically pursued by a Napoleonic war hero. With a screenplay by Jean Giraudoux.

“Vautrin” was adapted from Balzac in three parts: “La Pension Vauquer” partially adapted “Le Père Goriot”; “La maison du canon” and “L’adjuration de Vautrin” are taken from “Splendours and miseries of courtesans”.

Orson Welles’ Great Mysteries is a British television anthology series produced by Anglia Television for the ITV network and broadcast between 1973 and 1974. The series presents standalone adaptations of classic mystery, crime, and supernatural stories drawn from literary sources including Dickens, Conan Doyle, Wilkie Collins, Balzac, Maugham, O. Henry, and others. Each episode is framed by original introductory and closing sequences performed by Orson Welles, who serves as the series’ host and sole recurring on-screen presence. These segments, written and directed by Welles (uncredited), function as stylized narrative framing devices rather than dramatic participation in the stories themselves. The dramatic content of each episode is performed by separate casts and directors, with no continuing characters or serialized narrative, establishing the series as a unified television anthology rather than a collection of standalone films.

In 19th century Paris, Bette Fischer, a poor and homely spinster, forms an alliance with the seductive courtesan Valerie Marneffe to orchestrate revenge on her handsome and wealthy relatives.

1819, Angouleme, France, a young ambitious poet, Lucien Chardon is introduced in the salon of Mme de Bargeton where meets the high society of the city. Lucien dreams of going to Paris to conquer the glory. But if Paris is the city where he can find fame, it is also that of great disappointments.