Lilia Lemoine

A portrait of Argentine libertarian politician Javier Milei.

Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.

An invasion alien threatens the fate of humanity and begins in a village where there are Bill Johnson, John West and Max Giggs. The friends escape from there with the purpose of finding and destroying the invading ship before it completes its evil plan of conquest.

Santiago is not the sweetest guy when it comes to girls. His best friend Gonzalo, who is not either, takes Santiago's phone without permission and arranges him an appointment with the diabolical girl from Eastern Europe to whom he has been sending messages, a simple act that will unleash a thrilling chain of unexpected and bizarre consequences…

Melkor is a rebellious demon who choses Buenos Aires to turn it into his personal hell by unleashing a demonic invasion. Zombies and demons walk the earth. All is chaos, fire, and death. The only one capable of stopping the hordes of the underworld is Cazador, but he only seems interested in drinking, eating, and fucking. To spark his interest the key will be Bussi the bear, his favorite plush toy. Based on the 90s comic.

An unscrupulous producer wants to create a TV show in the style of "Cops." But what begins as a quiet day of filming for this reality show turns into an adventure when the "Cops Action" must save the city from a terrible threat!

The militia discovers an anarchist cell in Burzaco and decides to test their new weapon: an army of computer-controlled zombie mutants. They were created from extraterrestrial DNA found on a crashed asteroid in Monte Grande. Everything goes according to plan, until a technical error unleashes insane carnage.

“RAPTURE II - PORTAL" revolves around Ukrainian Vogue dancer Marko and the confrontation with his abandoned apartment in the region of Donbas, where the war is going on for ten years. It fuses the idea of a physical lost home and the body of a dancer as an infinite eternal home. The film is contextualized by the self-commented tour of Marko, structured as a hypnosis session.