Jacques Prévert

In 1482 Paris, Frollo, Chief Justice of benevolent King Louis XI, becomes infatuated by the beauty of Esmeralda, a young Romani girl. The hunchback Quasimodo, Frollo's protégé and bell-ringer of Notre Dame, lives in peace among the bells in the heights of the immense cathedral until he's involved by the twisted magistrate in his malicious plans to free himself from Esmeralda's alleged spell, which he believes to be the Devil's work.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

Benjamin Déboisé, a hatter, his salesman and a young man want to kidnap an American millionaire, put him in a bag and hold him to ransom. But they make a mistake: the fellow they find in the bag is not the millionaire himself, but his son...!

In Paul Grimault's satire of the arms trade, the dealer is alerted to the breakout of war by a signal on his map, so travels in turn to each of two warring countries (his journey is traced for us on the map), selling to each the means of destroying its neighbour. —The Cine-Tourist

At the end of the 15th century, a man and a woman, posing as traveling minstrels, are sent by the Devil to a castle to seduce its inhabitants.

A young shepherdess and a chimneysweep plan to get married and escape the clutches of a tyrannical king in love with her, assisted by the guile of a cheeky mockingbird, the king's archenemy.

A married tugboat captain falls for a woman he rescues from a sinking ship.

Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.

Newly married couple Juliette and ship captain Jean struggle through marriage as they travel on the L'Atalante along with the captain's first mate and a cabin boy.

The basic premise: A retired bus driver fulfills his lifelong dream of providing an extended "voyage surprise" (the title is translated as "Mystery Tour") for unsuspecting vacationers. They soon realize, while riding in the old man's home-made bus, that he hasn't bothered to plan any kind of itinerary. As a result, they end up in completely preposterous situations, of course. Voyage surprise!

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

A forest full of animated animals encourage a pair of snails, who are fully clad in black because they are in mourning for a dead leaf, to celebrate the new spring and reclaim the colors of life. Based on the children's poem by Jacques Prévert entitled "Chanson des escargots qui font à l'enterrement" ("Song of the snails who are on their way to a funeral").

An Arab boy, Abdullah, loves his donkey, Bim, but another boy, Massoud, who also happens to be a prince, is jealous of Abdullah and his relationship with Bim, so Massoud steals the donkey and plays mean tricks on him, such as painting him and trying to cut his ears off. Abdullah tries to rescue Bim but is caught by palace guards and is imprisoned. Realizing Abdullah's love for his donkey, Massoud becomes ashamed of his meanness and frees Bim and Abdullah. However, the donkey eats Massoud's father's lunch and is taken to a butcher. Abdullah and Massoud try to rescue Bim from the butcher, but robbers get there first and steal the donkey along with the butcher's goods. The robbers escape to the sea, and Abdullah and Massoud stage one last rescue attempt with all of their friends to try to save Bim.

A chimney sweep and his beloved shepherdess are aided by Wonderbird in their escape from a ruthless dictator

Duparquet is the controller of Les Halles, and plays matchmaker between the young farm-girl Ciboulette and Antonin, a young spoiled aristocrat.

Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.

A French farce set in Victorian London where a botanist and his wife get into trouble when they pretend to go missing in order to hide from their sanctimonious cousin – an Anglican bishop who is leading a campaign against such writing.

An anthology of four historical love affairs: at Versailles, Louis XIV shares his mistress with one of his subjects; a courtesan tries to disfigure her lover with acid; a medieval wife faces the wrath of her husband's father, who has her condemned to death; and a stage actress provides advice on life and love to her young colleague.

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.

There's never a dull moment at the Hôtel du Libre Echange. Deceptions, hitches and other misunderstandings make a few people mingle whereas, for their own sake, they should not. An example among others: an expert who has come to the hotel for professional reasons had better not meet his wife, who is there to cheat on him with his best friend.

The choreographer brings the Paris of yesteryear back to life: the city of the Boulevard du Crime from the first half of the 19th century, with its artists, theaters, and cabarets. In a staging reminiscent of a movie set, the mime Baptiste bathes in his memories, tell about his encounter with Garance, his impossible love for a marvelous yet unattainable woman, the magical universe of the stage, life behind the scenes, and the tenuous line performers maintain between reality and illusion. Marc-Oliver Dupin's original score provides the musical backdrop for a choreography alternating between larger ensemble numbers and intimate love duets.

A shimmering glass hotel at the top of a remote Provençal mountain provides the setting for a tragicomic tapestry about an obsessive love pentangle, whose principals range from an artist to a hotel manager to a dam worker.