Sarah Francis

A glass van roams the streets of Beirut. The van houses a camera that explores the city from behind the glass. Through its journey, it becomes a mobile confessional, capturing moments from peoples' lives, all the while searching for something or someone. The confessions are candid, blunt and intimate.

This hushed, pared-down essay weaves together different facts and myths surrounding the moon: images, texts, and sounds are spun into a dense, delicate tissue of ideas, with humans both at the centre and infinitely small in this celestial context.

Walid and Aida, husband and wife, are reunited after Walid’s many years spent living abroad. Answers to long-hidden secrets are sought in Sarah Francis’ careful unravelling of an estranged marriage.